2010/2011 >
2009/2010 >
2008/2009 >
2007/2008 >
2006/2007 >
2005/2006 >
2004/2005 >
2010/2011 Misato Mochizuki – Le fil blanc de la cascade > Wed 13 April 2011 Groningen Vera Transmission Possible > Final concerts: Wed 1 June Amsterdam Concertgebouw kleine zaal 12.30-13.00 Composers' Festival Amsterdam 2011 free admission > Toonzetters – Holland Festival > Wed 22 June Amsterdam Muziekgebouw aan ’t IJ 20.15
|
Atlas Academy 2010 Soloists from Central Asia and the Near and Far East give informal concerts at the Amsterdam Public Library. The public gets to share in the Atlas Academy adventure during a two-day Open House and a performance at the Uitmarkt. Extensive information, recordings, pictures and video can be found on the website of the Atlas Ensemble: www.atlasensemble.nl > Concerts in the Public Library of Amsterdam Thu 17 August, 20.30 Wed 18 August, 20.30 Thu 19 August, 20.30 Fri 20 August, 20.30 Mon 23 August, 20.30 Thu 24 August, 20.30 Wed 25 August, 20.30
|
Jiang Yang (pipa), Hans Wesseling (mandoline), Ercin Kaya (composer), Elchin Nagiev (tar) |
||
Toonzetters
|
|
||
Nieuw Ensemble |
|
||
During the closing concert of the two-day Toonzetters festival, the best Dutch composition of 2009 was awarded the Buma Toonzetters Prize. Of the ten composers nominated, three reached the finale: the South Korean Seung-Ah Oh, the White Russian Aliona Yutsevich, and the Dutchman Wilbert Bulsink. The Nieuw Ensemble performed JungGa, a piece that Seung-Ah Oh wrote specially for the oboist Ernest Rombout and the NE. JungGa was premiered in the programme Breaking News in March 2009. This powerful, evocative piece, pits the oboe against the ensemble’s pointed counter-gestures, in which the percussion plays a prominent role. The title refers to a similarly named old Korean singing technique characterized by rich ornamentation. With JungGa, Seung-Ah Oh won the 2010 Toonzetters Prize. The Nieuw Ensemble received the SENA Performers Toonzetters Prize for best interpretation.
|
|||
Prisma of New Music
|
Thanasis Deligiannis
|
||
Nieuw Ensemble |
|
||
Each year hundreds of young composers from around the world compete for the Gaudeamus Music Week Prize. From 400 entries this year, the jury selected 21 compositions. Two of these were written for the Nieuw Ensemble and the Atlas Ensemble: Synaxi, by Athanasios Deligiannis (1983, Greece), and Prisma [Prism], by Francisco Castillo Trigueros (1983, Mexico). Also heard at this opening concert were new pieces by the competitors Paolo Ingrosso and Giuliano Bracci, both of Italy, and Myunghoon Park, of Korea. In addition, the NE performed premieres of compositions by Natalia Domínguez Rangel (1981, Colombia), last year’s winner of the Tera de Marez Oyens Prize, and Diana Rotaru (1981, Romania), who found inspiration in the painting Unevensong by the American artist Graeme Todd. |
|||
Etheric Blueprint Trilogy
|
Misato Mochizuki |
||
Nieuw Ensemble |
|
||
|
|||
Tage für Neue Musik Zürich
|
Christian Winther Christensen |
||
Nieuw Ensemble
|
|
||
The Nieuw Ensemble plays often at international festivals. Because of its succesful appearance last year, it has been invited again to the Tage für Neue Musik in Zurich. AAA, a piece for flute, clarinet, violin, viola, cello, piano and percussion by the Frenchman Philippe Leroux, is an arrangement of Image à Rameau for four MIDI winds. In the energetic and imaginatively instrumented Concierto da cámara, the Spaniard Francisco Guerrero puts the flutist to the test with an unusually virtuosic solo part. The young Danish composer Christian Winther Christensen evokes associations with mechanically ticking machines in A Fall from the Perfect Ground. Two movements from Misato Mochizuki’s Etheric Blueprint Trilogy complete the programme.
|
|||
Mauricio Kagel Kantrimiusik
|
Mauricio Kagel |
||
Nieuw Ensemble |
|
||
In his masterpiece Kantrimiusik Mauricio Kagel has created a sound world in which the real and authentic can't be distinguished from imitation. The piece seems to be located in a foggy twilight zone of folklore and pastorale: Spain, alpine waltzes, honky-tonk, jazzy rhythms, pampa and pusta are combined with tape recordings of rain, wind and animal sounds. Kagel expresses in a witty and intelligent way his concern about the destruction of nature and authentic traditional folk art. |
|||
Nieuw Ensemble in Huddersfield
|
|||
Nieuw Ensemble |
|
||
|
|||
Contrasts
|
Joseph Szigeti, Béla Bartók and Benny Goodman play Contrasts |
||
|
|
||
Three chamber music pieces come together in a programme whose name alludes to the trio by Béla Bartók. Contrasts was commissioned by the King of Swing, jazz clarinettist Benny Goodman, and the Hungarian-American violinist Joseph Szigeti. These two musicians, together with Bartók, who was an excellent pianist, performed the work many times. Darius Milhaud travelled to Brazil in 1917 with the poet, playwright and diplomat Paul Claudel, an experience that profoundly affected his composition. The Sonata for flute, oboe, clarinet and piano, one of Milhaud’s most extreme pieces, dates from this period. Sergey Prokofiev remained in Paris in 1923 when he was commissioned to write the music for a ballet. There were only five musicians in the ensemble he had at his disposal; from this music, he later created his masterly Quintet, opus 39. |
|||
Mirandolina a comic opera
|
Bohuslav Martinu |
||
conductor |
Ed Spanjaard |
||
Opera Trionfo and the Nieuw Ensemble present the Dutch premiere of Bohuslav Martinu’s comic opera Mirandolina, based on a play by Carlo Goldoni. On the terrace of an inn, a down-on-his-luck marquis and a so-called count argue about who more deserves the attentions of the young landlady Mirandolina. The ludicrous dispute is made more heated by the unpleasant and aggressive behaviour of an inveterate woman-hating nobleman. With refined enticement, Mirandolina prepares her attack to avenge herself on him. When the nobleman finally falls smitten by her charms, Mirandolina – with the help of her faithful waiter and protector Fabrizio, who worriedly witnessed everything – has her hands full trying to keep the nobleman away from her. Until she realizes with whom she can ultimately find happiness … |
|||
Nothing but Good Donderdagavondserie / Proms introduction 19.15
|
György Ligeti |
||
Nieuw Ensemble |
|
||
In recent years we have lost one after another of the giants of post-war music: Messiaen, Stockhausen, Maderna, Cage, Nono, Berio, Ligeti, Kagel, Xenakis. Only Boulez and Carter are still alive. This programme presents a number of key works: the first masterpieces of Stockhausen and Berio, pioneering music by Xenakis, the consummate mastery of Ligeti’s Chamber Concerto, the playfulness of Donatoni, and the lopsided swing of Kagel. The Nieuw Ensemble worked closely with Ligeti, Donatoni and Kagel. |
|||
Flamenco sin Fin Flamenco Biënnale Nederland
|
Fuensanta ‘La Moneta’ |
||
Nieuw Ensemble |
|
||
The vanguard of flamenco will gather for the third Flamenco Biennial. Tradition and experiment merge in this programme with three premieres: the Black Star Suite by the single-mindedly individual composer Florian Magnus Maier, Muerte sin fin by the Spanish composer Mauricio Sotelo, an impressive cycle on poems by José Gorostiza, and a new work for Azerbaijani mugam singer and the NE by Frangiz Ali-Zade; like Flamenco, mugam has a tradition of passionate, expressive improvised vocals. Two leading flamenco soloists will perform: the singer Arcángel and the dancer, Fuensanta “La Moneta,” who is well known for her innovative style.
|
|||
'La France, c’est moi!’ Coproduction with Stichting KAM
|
Paris (photo Elliott Erwitt) |
||
Nieuw Ensemble |
|
||
|
|||
Wim Henderickx and Klas Torstensson in De Singel
|
Anton Webern |
||
Nieuw Ensemble |
|
||
The music of Anton Webern is exceptionally concise and concentrated. His compositions deserve to be heard more than once. The masterly Five Pieces for Orchestra, with their fragile instrumentation setting them at the edge of audibility, never lose their fascination. The NE will perform the work twice, before two large-scale recent compositions. Mudra, by the Flemish composer Wim Henderickx, is a poetic, subtle and evocative work influenced by Indian philiosophy. Klas Torstensson’s Violin Concerto, alternately rough and fragile, is a piece with melodic allusions to Swedish folk music. After its succesful premiere in Amsterdam last season, this programme will now be performed at Belgium’s Ars Musica festival.
|
|||
Misato Mochizuki – Le fil blanc de la cascade
|
![]() Taki No Shiraito©National Fillm Centre Tokyo, Japan |
||
Nieuw Ensemble |
|
||
The Japanese composer Misato Mochizuki's wrote a highly evocative film score for oriental and western instruments as an accompaniment to Taki no Shiraito (1933) of the celebrated Japanese director Kenji Mizoguchi (1888-1956), a masterpiece of the silent cinema based on a novel of Kyoku Izumi. Mizoguchi used this story of an impossible love affair to criticize social injustice in the Japanese society of his time. The black and white celluloid has been restored by the Nation Film Centre in Tokyo. |
|||
New Light on Old Friends
|
Luciano Berio |
||
Nieuw Ensemble |
|
||
A programme with arrangements of existing repertoire. Four young composers have made colourful instrumentations of some of their favourite pieces. In Quote ... Unquote, Klaas ten Holt set poetry by Strindberg, Pushkin, Cervantes and Shakespeare to music. He got the idea for his cycle of nine songs from a phonemon that in some novels and plays occur: “Suddenly someone breaks into song, the text often printed in italics, as a sort of musical intermezzo without music. Often, they are the most beautiful texts, just begging to be set to music.” After the intermission the now almost 50 years old but still enchanting Folksongs by Luciano Berio will be performed. |
|||
Premières Tristan Murail
|
(medieval map) |
||
Nieuw Ensemble Jean Vigo/ François Paris
Tristan Murail
|
À propos de Nice (2005), Jean Vigo’s film with new film score by François Paris
Portulan cycle:
|
||
Tristan Murail is one of the main representatives of French spectral music. For several years hel has been working on a chamber music cycle for eight musicians called Portulan (Medieval navigational map). Murail: “Portulan is an indirect autobiography – all of the pieces are inspired by something that has a special meaning for me. Feuilles refers to Debussy and the French countryside; Les ruines has to do with Borges; Seven Lakes Drive is a beautiful road that runs through Harriman State Park; Garrigue is a type of fragrant Mediterranean vegetation. Two new commissioned works will receive their first performance:La chambre des cartes and Dernières nouvelles du vent d’ouest. Jean Vigo – the legendary anarchistic film director who died at the age of 29 – has had with his small oeuvre a strong influence on the French cinema. His first film À propos de Nice (1930) is both a social satire and a surrealistic silent movie with remarkable strong images. The Nieuw Ensemble plays François Paris' new score that imaginatively complements the film‘s suprising montage and shifts in perspective.
|
|||
Imagine Utopia Atlas Ensemble met interculturele premières
|
Artyom Kim |
||
Atlas Ensemble Artjom Kim Francisco Trigueros Stockhausen arr. Stefano Pierini Fabio Nieder
Sanae Ishida
|
Flame for sheng and ensemble Mestizo for soprano and ensemble Four Melodies from Tierkreis ‘Von Himmel hoch, da kommt ein Engel her zu dir... und fliegt gen Himmel wieder’, Choral für Julia Pièce for sho and eleven instruments
|
||
Instruments shakuhachi (Japan), oboe, duduk (Armenië), clarinet, sho (Japan), sheng (China), pipa (China), tar (Azerbaijan), guitar, mandolie, santur (Iran), qanun (Syria), zheng (China), koto (Japan), harp, piano, percussion, erhu (China), kemençe (Turkey), sarangi (India), violin, viola, cello, contrabass On Liberation Day, the 5th of May, the Atlas Ensemble presents Imagine Utopia, an ode to free spirit and creativity. Twenty wonderful instruments from different cultures are brought together in one ensemble – played by inspiring musicians from different cultures. Among the soloists are great artists as Gevorg Dabaghian from Armenia (duduk), Wu Wei from China (sheng), Neva Özgen from Turkey (kemençe), and the Indian sarangi master Dhruba Ghosh. In August 2010, the second Atlas Academy took place. Musicians and composers from around the world gathered to conduct research, experiment, play and compose. Now the Atlas Ensemble presents the first results of this Academy, a series of premieres for various combinations of world instruments. The composers each chose their own point of departure. Their imagination transforms the Atlas Ensemble into an orchestra with unique combinations of timbres.
|
|||
Boulez in Cologne
|
Pierre Boulez |
||
Nieuw Ensemble |
|
||
Pierre Boulez: “A composition should not reveal its secrets on the first hearing.” Perhaps that is one of the secrets that keep his music in the repertory. In any case, every piece by Boulez, large and small, shows the hand of a master. This concert portrait presents three compact works together with the large-scale Dérive 2, from 2006. In Eclat, Boulez impressively gives form to his Eastern-rooted concept of time perception in music. Moments of stasis and reflection alternate with tremendously active passages: the piece is a colourful interaction of instruments whose tone dies out immediately on being sounded and ones that can sustain a tone. Dérive 1 is one of the finest and most often performed chamber music works of recent decades. The subtle mini flute concerto Mémoriale is melancholic and refined in tone. With the energetic Dérive 2, the grand old man of French musical life offers a driven and unusually virtuosic musical discourse. |
|||
Transmission Possible – eight premieres Wed 1 June Amsterdam Concertgebouw kleine zaal 12.30-13.00 > Composers' Festival Amsterdam 2011 free admission >
|
![]() |
||
Nieuw Ensemble Giuliano Bracci
|
Lucas Vis |
||
The Nieuw Ensemble organizes each year a project with young composers. Master Students of the conservatories of Amsterdam and The Hague work closely together with the professional musicians from the Nieuw Ensemble for a period of six months. They can experiment and gain practical experience under the guidance of conductor Lucas Vis, coordinator Joël Bons and guest tutors. The focus of this year’s practicum lies on transmission: from idea to sketch, from sketch to score, from score to performer, and from performer to audience. During the final concerts the resulting compositions will be premiered. The practicum has been one of the primary activities of the Nieuw Ensemble since 1982. The NE is ensemble in residence at Conservatorium van Amsterdam. |
|||
|
2009/2010 |
|
Atlas Academy
|
![]() ![]() |
||
|
Toonzetters
|
![]() Wilbert Bulsink aan at the Luchtpiano © Co Broerse |
||
|
conductor |
Micha Hamel |
||
|
On Sat 29 and Sun 30 Augustus 2009 the second Toonzetters concert shall take place at the Muziekgebouw aan 't IJ. Amongst the ten selected works was Op/weg ... geblazen by Wilbert Bulsink, written for the NE. |
|||
|
New Music from Brazil
|
![]() Celso Antunes |
||
|
conductor |
Celso Antunes |
||
|
|
|||
|
VeerStichting
|
||
|
conductor |
Ed Spanjaard |
|
|
Dutch Music Days
|
![]() Gerard Reve©Vincent Mentzel |
||
|
conductor |
Hans Leenders |
||
|
Apply for the Henriëtte Bosmansprijs > |
|||
|
seizoen 2008/2009 Breaking News > Eurasische Schwellen > |
|
Nieuw Ensemble in China |
![]() Guo Wenjing © Eddy Posthuma de Boer |
||
|
programme I |
|
||
|
|
|||
|
Around Brian Ferneyhough |
![]() Brian Ferneyhough © Siemens Foto ![]() |
||
|
conductor |
Ed Spanjaard |
||
|
|
|||

|
seizoen 2007/2008 |
|
Franco Donatoni playfulness and absurdism > |
||
|
conductor |
Lucas Vis |
|
|
|
||
|
Klassieke Muziekweek |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
part 2 14.30 |
||
|
Giel Vleggaar |
Aiming for ecstasy (2005) voor e-gitaar |
|
|
|
||
|
Luke's Passion by Calliope Tsoupaki |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Mixed pickles the soloists of the Nieuw Ensemble |
||
|
|
|
|
|
|
||
|
Amsterdam Cello Biënnale |
||
|
conductor |
Otto Tausk |
|
|
|
||
|
International Guitar Festival |
||
|
conductor |
Robbert van Steijn |
|
|
|
||
|
Layla and Majnun a play for dancers, singers and instrumentalists |
||
|
conductor |
Robbert van Steijn |
|
|
|
||
|
Archipel première programme by the Atlas Ensemble |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Guo Wenjing portrait in Köln |
||
|
conductor |
Lucas Vis |
|
|
|
||
|
Secret language |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Jonathan Harvey in Holland Festival |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Chinese masters in Köln |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Shadowtime at the RuhrTriennale |
||
|
music |
Brian Ferneyhough |
|
|
Shadowtime is a big event in the new music world… an unlikely and |
||
|
Chinese masters in Amsterdam and Antwerp |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Mo Wuping |
Fan II |
|
|
|
||
|
workshops and demonstrations in the Amsterdam China Festival |
|
Booming China the latest generation |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Zhang Yuan |
“Der.tien” Flavors of Sound * |
|
|
|
||
|
Xianfeng! Chinese avant-garde |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Zhou Juan |
MING |
|
|
|
||
|
De Schreeuw in the trail of Edvard Munch and |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Grand Tour around the world with the Atlas Ensemble |
||
|
Stefano Bellon |
Alfabeto deserto for Asian/European ensemble |
|
|
|
||
|
Concerti the solists of the Nieuw Ensemble |
||
|
conductor |
Ed Spanjaard |
|
Première programme |
||
|
Angel Gimeno |
Sintonia de concierto |
|
|
|
||
|
The Chef's choice Ed Spanjaards favourites |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Open Music |
||
|
conductor |
Lucas Vis |
|
|
|
||
|
...Explosante-fixe... Boulez, Holliger, Ligeti |
||
|
conductor |
Jurjen Hempel |
|
|
|
||
|
Sunsation Festival |
||
|
conductor |
Ed Spanjaard |
|
|
|
||
|
Bezielde tijd |
||
|
Fabio Nieder |
dirigent |
|
|
|
||
|
In Baltische Staten |
||
|
Ed Spanjaard |
dirigent |
|
premièreprogramma |
||
|
Janis Petraskevics |
Mezzogiorno |
|
|
|
||
|
Atlas & Consorten |
||
|
Ed Spanjaard |
dirigent |
|
|
|
||
|
Hans en Grietje |
||
|
Traces of Rhythm |
||
|
Bas Wiegers |
dirigent |
|
|
|
||